Writing

2017

• MICA & Argentina, British Council Creative Economy
• Continue, British Council Film

2014

• A workshop on Playing Systems, Coney Blog

2013

• The Shape and Scale of Australian Development, Metro Magazine
• Prosthetics of Imagination, Victorian Writers' Centre
• Bioshock Infinite, Metro Magazine
• Gamers, Players, Consumers, Metro Magazine
• Freeplay’s response to the Screen Australia Games Fund, Online

2012

• Games Funding, Metro Magazine
• Art & Independent Game Development, ArtsHub
• Game Masters, Metro Magazine
• Portrait of the Videogame as Short Story, Meanjin Blog
• Exhibiting Games, Metro Magazine

2011

• The Return of the Videogame Outsiders, Realtime Arts
• Beyond the Edge of the Screen, The Edge
• Getting Started, ibrary
• Memory Lane, ibrary
• Design, ibrary
• Dialog and Character, ibrary
• Story Starting Points, ibrary
• Non-digital Games, ibrary
• Novelty, Escape, Boredom, Hope, Kill Your Darlings
• These words mean just what I choose them to mean, The Edge
• Writing for Games, ibrary
• Games & Storytelling, Newswrite
• Have We Seen it All?, Meanjin
• Social Technology and Events, Australia Council for the Arts
• Archiving Social Media, Australia Council for the Arts
• Playful Engagement, Australia Council for the Arts
• Games & Storytelling, Storyline
• Twitter 101, Australia Council for the Arts
• The Emerging Writers Festival, Inscribe
• What can we say with games, if:Book Australia

2010

• Emerging Writers Festival Reader
• Critical Thinking about Video Games, info@aslaNSW

2009

• Games and Games Literacy, SLAV Magazine
• Critical Thinking about Video Games & Literacy, Education Technology Solutions
• Critical Thinking about Video Games, Infonet
• Games Literacy, Infonet